Themes and Comparisons

On this page I group together, for comparison, a variety of themes, aspects and elements. Please scroll down or choose from the list below.
apses crosses pre-romanesque elements
beakheads fonts rose windows
capitals friezes and imposts slit windows
corbels musicians
 

Apses

The majority of the smaller, aisless churches feature a square-ended chancel. There is just a handful of semicircular apses. Not shown: Roriz and Longos Vales. Ermida has a polygonal apse.

Beakheads I

Beakheads appear on the arches of only a few churches.

Beakheads II

On corbels beakheads are even rarer.

Capitals I

Capitals: This is one of the comparisons Carlos de Almeida makes.

Capitals II

An uncommon image of Atlantes (or what are they?).

Capitals III

Capitals reused as corbels, often after a 17th or 18th century “remodelling” of the church.

Corbels

In the area East of Porto cowheads were popular for portals.

Crosses

On roof ridges crosses are mostly very simple like Sousa, but there are also more elaborate ones.

Fonts

Unfortunately very few fonts seem to have survived the ages. The one at Ribeiros may not be romanesque.

Friezes and Imposts I

In the region North of the Douro river this is one of the most widely used decorations. A small selection is shown here.

Friezes and Imposts II

A not so widely used motif.

Musicians

Musicians.

Pre-romanesque elements

Occasionally decorated stones of older churches are reused. Not shown: Cedofeita.

Rose windows I

The simplest form is little more than a decorated oculus.

Rose windows II

In the transitional period to gothic larger rose and wheel windows appear.

Slit windows

If slit windows are decorated, it is usually only on the inside. On the E side of some square-ended chancels the decorations also appear on the outside.